Make adjustments by moving the dots on the graph where you want them or typing your desired frequency and gain in the fields below the graph. Amplitude runs along the vertical ruler or y-axis, from -15dB to 15dB or from -48 to 48. In Audition the equalizer appears as a horizontal line on a graph, with frequency running along the horizontal ruler or x-axis from 0Hz to 10kHz in evenly spaced octaves. Audio engineers like using parametric equalizers because they offer maximum control over tonal equalization. Power supply: 100 – 240 VAC, 50/60 Hz, 0,6A, 48V DC, 520mA, max.You can find the Parametric Equalizer effect in the same tab as the Graphic Equalizer. Output gain: +/- 8dB, steped 1 dB steps Mike McLean is cited for historically purposes only and HA is in no way affiliated with him. *Motown, Cinema Engineering, Langevin, and Altec may be trademarks of their respective owners and HA is in no way affiliated with any of them. In/Out/Off Lever switch allows you to A/B the effect of EQ settings. Carnhill-driven output line amp substitutes the original´s Achilles heel Opamp-labs output. UTC replica input transformer transformer with modified turns ratio for better integration into modern studios. Heavy duty stepped rotary switches used for all 7 eq bands and gain control. Clever passive design uses no less than 21 inductors and 21 tone capacitors ( 3 each per band) exclusively made for Heritage Audio, matching Brauer´s values to 1% tolerances. First time publicly available: Motown’s Chief technical engineer and miracle worker Mike McLean´s take on the smart graphic eq designed for the film industry and made by Cinema Engineering, Langevin and Altec. Replica of Michael Brauer´s units designed at Motown’s “Hitsville” studio for private use. Iconic single channel 7 band passive EQ Or as Michael Brauer says: It simply got that sound! The Heritage audio MOTORCITY EQ is not a digital equivalent, not a respectfully close replica and not a more compatible modernized “improvement.” The MOTORCITY EQualizer is nothing more or less than the genuine article finally made available for the general public. It packs a punch without sounding harsh or distorted. The sound of the MOTORCITY EQualizer is exactly what you’d expect. The incredibly simple 1960’s accurate back panel features a power supply jack for the external power supply, and an XLR input and output. Finally, it features a master gain control (-8db/+8db) with 1dB increments. All rotary switches have easy to read from a distance “General Radio” bakelite style knobs recreated to look exactly like the originals. The front panel also features a combined in/out/off toggle switch with top hat knob and jewel light power indicator. Each frequency has a stepped rotary switch capable of a flat response, or up or down up 8db in 1dB increments. The MOTORCITY EQualizer has seven accessible frequency points across the tonal spectrum, from 50Hz, 130Hz, 320Hz and 800Hz up to 2Hz, 5kHz and 12,5kHz. The Heritage Audio MOTORCITY Equalizer delivers the same unmistakably huge, punchy, and warm signature sound that makes this EQ as classic as the hits it helped create. More importantly, the unique passive equalization circuit is identical and fully faithful to the original design, including cutom build mil-spec 1960’S tone capacitors and inductors. From the 10-gauge hand brushed aluminum face plate, historically accurate control layout including custom molded bakelite knobs, the MOTORCITY Equalizer looks the part. It is a recreation of the “MOTORCITY EQualizer” owned by Eight-time Grammy winning producer, mixdown artist, and innovative engineering genius Michael Brauer. The MOTORCITY EQualizer is a completely analog, passive EQ design with seven accessible frequency points across the tonal spectrum.
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